Scale of formsBy 2002, strengthening forms, scattered liberally over the surface, start to produce a slightly chaotic dynamic to everything. At the same time, I started working on the computer, which allowed me to bring in much more direct references to the world, via the paintings of Pieter Breughal (one of which, The Triumph of Death, formed the basis of the my painting Testimony).link to associated show: Watters 2002
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